A dubious quip for Scroobius Pip (or how it feels to fail your peers)

Wednesday, June 17th, 2009

In my last blog, the one about the seemingly* disastrous interview, I alluded to the fact that I’d once bombed at a festival. If you’re reading this blog there’s a fair chance that you’re an aspiring poet. Your unjaded mind may, as I write, be conjuring fanciful vagaries of exchanging gentle anecdotes with Seamus Heaney over a glass of complimentary Beaujolais in a velvet lined marquee at Hay on Wye.

Don’t get me wrong, that type of scenario is occasionally a reality, but for me it’s a rare exception. You’re far more likely to find me arse deep in cow eggs, picking the flies out of contraband no frills voddy as John Berkavitch tries to convince me he’s been inhabited by the spirit of a Zebra. Not that I’m complaining, the latter option suits me fine.

In the interview I had last week someone asked me the following question:

“So Byron, What has been your worst festival experience?”

Performing poetry at a festival is a bit like playing badger hole roulette, one wrong set and your scarred for life (oh dear). When it comes to fezzie gigs I have a flooding cesspit of uncomfortable anecdotes to draw from. I could have told them about the time that eminent geneticist Sir Robert Winston jocularly threw a cup at my head for suggesting to the audience that his moustache made him look like a renegade member of the village people (their current line up is lacking an academic); or the time some ketamine spangled space cadet wobbled up to the stage and jettisoned a gastro-geyser all over my feet, or the time I threw up on my own feet seconds before my slot. Shame prevents me from further disclosures.

In reality those events pale into affectionate insignificance when compared to the wincing discomfort I feel when I recall the time I lost the plot at Latitude festival.

It was a Saturday night. The poetry tent was a humming jungle of tangled limbs and bibulous banter. Earlier that day Scroobius Pip and Dan le Sac had bounced a grateful swarm on one of the main stages. As his set drew to a close Scroob announced to the masses that they should come and check him out in the poetry tent at eleven thirty, and judging by the swelling crowds many had complied. It later transpired that he wasn’t on at eleven thirty, unfortunately for everyone present, I was.

I was relatively new to the game and this was by far my biggest gig yet. David J, Polarbear, and Scroob had all done storming sets in the hour leading up to mine. Everywhere I looked I was confronted with the faces of my calm, confident and better established peers, even Johnny Clarke had put in an appearance. There were other well known bods mulling about too. Kate Nash was stood in the wings and someone told me that Phil Jupitus and Richard Curtis were sat in the audience. It was all a bit much for me; I’m just some chancer off a back water council estate. Surrounded by all those self-assured, educated, successful people I started to feel way out of my depth.

The thing about the fear is that it knows you inside out. If it gets a proper grasp of you, it’s almost impossible to wriggle free. Every motivational ray of hope I tried to muster was kicked squarely in the rationals by the insider knowledge of my belligerently aggressive neurosis.

By the time I was being announced, I was a dribbling wreck, dizzy on unhinged adrenalin. The cacophonous tumult of back stage was making me feel even more twitchy and as I scaled the steps to the stage my brain already knew that my mouth was no longer an ally.

My tongue adopted the texture of parched polystyrene. I felt like I’d just snorted the Gobi desert. The retina melting spotlight forced tides of shaming sweat into public view. I’d had a set planned, but all of a sudden it seamed about as compelling as a tax man’s guff. I sluggishly squeaked through my links with all the charisma and timing of freshly stepped in pigeon puke.

It was about half way in to my third poem that I finally choked. Time seemed to slow to a stagger as I loitered in the excruciating gaze of underwhelmed spectators. I mannaged to compose myself for another couplet or two before my brain crashed yet again; inflicting another roaring silence on the increasingly fatigued punters. I managed to muster some quip about the nineties being cruel to us all, then skulked off stage so prematurely that the compare was still half way through his ablutions in a distant portaloo.

I thought I was just about as crestfallen as a person could be as I sloped away. Then David J tossed me an incredulous headshake and a compassionate “what the hell just happened” look. I wanted the ground to swallow me whole.

If you think I’m being whiny about it now, just imagine how intolerable I was on the night. It wasn’t just me that I felt I’d let down, but those who’d put their faith in me. None more so than Luke Wright. He’d taken a real risk in booking a newbie like me and even after witnessing my mammoth fuck up, offered me far more sympathy and support than I deserved.

In fact everyone was double lovely. I was genuinely ready to quit performing poetry for good; but then Luke and Sally (Luke’s wife) gave me a soul salving pep talk.

Polarbear then ushered me away for a quiet and much needed “shit happens” pint; but if you’re ever having a bad day, Andy Craven Griffiths is the man to have around. He gave me a speech that could easily rival that of Micky Goldmill counseling an eleventh round, slapped daft Rocky Balboa.

Without the kindness of those people I would have never stepped on stage again, so if you balk at the sight of my name in your festival program, you know who to blame. EYE OF THE TIGER ANDY!

I’ve had some ace gigs at Latitude since then. Last years Friday night slot was one of the most enjoyable sets I’ve ever done. Again, I need to thank Luke for having me back after such a wobbly start, it’s very much appreciated, I owe you big time bruvva.

I still shudder at the memory though. That night it felt as though Scroobius Pip had introduced a generation to the wonder of spoken word, and I’d single handedly destroyed his good work. I don’t even know if he was present to witness the full car crash horror of it. I’ve been in the same room as him on a couple of occasions since, skulking in the shadows, to this day I still can’t look him in the eye. Sorry Scroob *cringes*.

You can catch me performing this year at Latitude at 10pm on the Saturday night and 11:20 Sunday morning; I’ll try not to ruin your day.

Also… you can check out some of the fine poets I mentioned via these linkylinks.

John Berkavitch

http://www.myspace.com/berkavitchtalk

Scroobius Pip

http://www.myspace.com/scroobiuspip

David J

http://www.myspace.com/davidj14

Polarbear

http://www.myspace.com/polarbearspoken

Luke Wright

http://www.lukewright.co.uk/

Andy Craven Griffiths

http://www.myspace.com/cravengriffiths

* I’ve since spoken to some of the interview panel, it was all in my head, everything was fine, pfft.

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ABOUT THIS AUTHOR


  1. Chris
    June 17th, 2009

    Great to hear how someone took a chance on you and backed their own decision when things didn’t go quite as brilliantly as they might. That was a dead entertaining read too.

    Reply

    Byron Vincent Reply:

    Yeah, I’ve been lucky to have someone like Luke fighting my corner. I owe him a lot.

    Thanks for reading Chris.

    Reply


  2. Charlie Jordan
    June 17th, 2009

    Agreed – you write exquisitely as always Byron. I love the idea of your brain already knowing your tongue was no longer an ally…. I’ve just got home from a drink with a mate who mentioned Scroobius – so I logged on to look him up and here you were with this – perfectly timed:) Also as I’m doing my first festival this year with you guys, at least I know who to find for a pint and sympathy afterwards! x

    Reply

    Byron Vincent Reply:

    Aw thanks Charlie. Don’t worry about the Big Chill, you’ll storm it, and after the show the pink pear cider is on me. x

    Reply


  3. Jay Bernard
    June 17th, 2009

    Eeeek. I’ve had gigs like that. Oh god, I was horrible at RADA. They’d invited me back after a pretty good show the year before. But for whatever reason most of the students had drinks elsewhere, it was broad daylight and a certain someone who shall not be named sat there telling me about how establishment the place was, how I should get up there and show them… So I stormed on stage, thinking ‘yeah, man!’ but almost as soon as I stepped on my heart sank, I wasn’t sure what I was reading, most of my poems were half formed. I nearly died. I’m at Latitude this year too. Thank god I have the lunch time slot…

    Reply

    Byron Vincent Reply:

    Those bad gigs don’t half loiter around the subconscious, maybe we should start a self help group for people suffering from post poetry performance trauma.

    Don’t be put off Latitude by that story, the gig was fine it was me that was rubbish. Anyway, they’ll LOVE you at latitude, I’d bet my house on it (if I owned one).

    Also, my plus one thinks you’re the bees knees, she’d bottle me off stage if she thought she’d get to see you quicker (seriously. You’ll have a ready made fan base, yay.

    See you in Suffolk :-)

    Reply


  4. Tony Walsh
    June 18th, 2009

    MY EMBARASSING PLACE OR YOURS?

    FLOPPING IN STALIN’S PENIS.

    It was good to see you at Wychwood, Byron. Sorry we didnt manage to have that proper beer/boogie/banter. We got a nice “tag team” thing going one night into the early hours to a nice little crowd – Steve Larkin, Angry Sam, Pete The Temp, Jonny Fluffypunk and me. Sorry I’ve not commented (on anyone’s postings) since then- but the old day job is v busy at the moment and I’m knackered.

    On-stage embarassment? I’m feeling your pain there, mate. The only thing to do though, as happily you have done, is to look back, laugh, and take pride in these scars and battle medals.

    My most cringeworthy on stage moment came, inevitably, at maybe my most prestigious-sounding gig and I still have nightmares about it. The British Council had flown me (me?) to Warsaw, Poland on their “Faces and Places: New British Writing” programme. Previous visitors had been a long stream of novelists like Irvine Welsh and Sarah Waters. I was getting the full visiting author treatment – met at the airport, goodie bag, posh hotel, driven around. Paid even! No pressure!

    The event was the 5th anniversary of slam poetry in Poland and had full professional PR and someone called Tonym Walshem was featured on around 20 Polish websites. The venue was the groovy Cafe Kulturalna, basically the cafe bar to the national theatre, located in the incredible if controversial 43-storey Stalinist monument The Palace of Science and Culture. (Known to locals as Stalin’s Penis – which has it’s drawbacks.) http://en.wikipedia.org/wiki/Warsaw_Palace_of_Culture_and_Science

    Poets had travelled from all over Poland and 250+ people were totally crammed into the baking hot, smoky room, many sitting cross legged right at the poets’ feet. I romanticised the vibe to be one of European bohemian intelligentsia and the energy was fantastic – transcending the language barrier, with everyone but me performing in Polish. The excellent Polish, now UK-based poet Bohdan Piasecki runs a mean slam, I tell you.

    I was due to do two (!), thirty minute (!!) sets between the slam rounds. To a big introduction, and with star billing, I left my conversation with the Greek Ambassador to Poland and took the floor to (short-lived) rapturous applause and a three quarter circular wall of faces stood on windowsills, crammed at the back, sat at tables, right through to crouching at my feet. A phallanx of long lenses clicked, the girl from the radio held her mic aloft and what looked like two pre-war TV cameras started whirring. Off you go, Tony, performing from memory in a “foreign language” in that scenario. No pressure!

    Well. I made the twin mistakes of starting with a very new poem and then changing the newly learned opening lines on the day to reference Poland. I find that when performing from memory your brain works on two levels. One is allowing you to recite the poem from an internalised place, somewhere deeper than memory, whilst the other allows your eyes to look round the room and to hold an internal conversation about what you’re seeing – she’s yawning, he hates me, please don’t shoot, etc. With so much for my brain to process, and by varying from my routine of composing myself before I went on, two lines in and I completely lost my way. Tripped over my words and, aaaargh, had to stop.

    No pressure!

    I thought on my feet though and, this being a rowdy slam, said something like “And the rule at slams is that the biggest cheer of the night goes to the poet who forgets their lines.” Which, to my suprise and delight, seemed to work. I used the intervening seconds to compose myself and started again – only to stumble at the exact same point two lines later! The international groan-like word which is Esperanto for “this bloke is crap” rang out and I watched the guy turn his tv camera off. What’s the Polish for “I’m a nonentity get me out of here?” Taxi for Walshem. I swear that I could HEAR myself sweating over the rasp of my tongue in the crater where my mouth used to be.

    But…..I composed myself and was doing ok only for, er, later, a drunken girl to step forward, take the mic off me and, in rather good English say to the whole room, “None of us can understand what you are saying!” She did get shifted and shouted down though and I did complete my two sets and people were nice and could look me in the eye afterwards but – I still carry the scars.

    Somehow, when the fear strikes on other occasions, ie just before most gigs, it manages to tap back into that feeling and transports me straight back to that loneliest of tiny deaths.

    You can share my pain with a few photos online at http://gilling.info/slam-wawa-2008-03-27/ and http://www.writeoutloud.net//public/galleryview.php?galleryID=157

    I’ve got a boozy, studenty gig on Friday and I’m feeling the fear right now! Wish me luck! And remember – if it doesn’t kill you, it only makes you smell stronger.

    You at Glasto? Otherwise see you, and everyone, at Big Chill. Yay!

    http://www.youtube.com/watch?v=GZgBKVBduQg

    Reply

    Byron Vincent Reply:

    I always get excited when I see you’ve posted Tony, as I know your contribution will funny, engaging and excellently scribed; and I’m never disappointed.

    Sorry I pooched out of the late night shenanigans at Wychwood, Sally’s dad plied me with fine whiskey till I wobbled out of consciousness. I am at Glasters though, so I’ll get us a beer in.

    Good luck at your student gig.

    Seesoon x

    Reply

    Tony Walsh Reply:

    Hi Byron, Hi Charlie

    I won’t respond to your double entendre, Charlie , if you don’t mind – it’s a point of principal for me. In fact, if I see anything appearing in my own writing that’s open to any form of smutty interpretation then I simply whip it out immediately.

    Yeah, like Geraldine’s point, I was very conscious that I was listing only male poets in my other posting – but that’s who was around on that particular night. And Byron’s right, there can be a bit of a Boy’s Club sometimes. But have I seen plenty of female poets rock at festivals? Jeez yeah!

    Carol Ann Duffy, for all my teasing in another post, went down a storm in her subsequent set at Glasto 05, achieving a connection and a reverence that most writers can only dream of. (I like her first laureate poem too.)

    I had the absolute privelege of seeing Patti Smith’s poetry set at Latitude 06 as well and, together with her earlier music set, quadrupled my considerable respect for the woman. Literary icon, poetry icon, fashion icon, feminist icon, punk icon, stunning vocalist, talented photographer, activist….awesome. She’s made zero concession to fashion or vanity in her later years either and simply spat where she stood when she needed to clear her throat. She said “Hi” to everyone backstage and I got to chat with her legendary collaborator Lenny Kaye as well and, as a complete music anorak, I can now die a happier man. http://en.wikipedia.org/wiki/Lenny_Kaye Thank you for the music, Lenny! http://www.youtube.com/watch?v=W-_0V0IXEkc

    She had some great anecdotes too about Robert Mapplethorpe, her husband Fred “Sonic” Smith of the MC5, “Bobby” Dylan and hanging around the Chelsea Hotel when she first came to NYC, opening cab doors for William Boroughs who eventually drawled “Patti! (Beautifully timed pause) I am a homosexual!”

    Checkout Patti at http://www.youtube.com/watch?v=y6aUbrZYjYE Respect!

    Amongst us “mortal” poets as opposed to the above superstars, I’ve seen Chelley McLear from Belfast Poets/Scream Blue Murmur/LPHR rock the casbah, The Poetry Chicks from Northern Ireland also – Pamela had me in tears with her Grandma poem last year, Rosy Carrick, Salena Godden, Rosie Lugosi, Kim Trusty, Lucy Lepchani…..I know that Helen Gregory, herself a veteran festie performer, who is programming Poetry and Words at Glasto these days, is working hard to even up the gender and other equalities balances in her line-up which is important. Check out most of the above named via my myspace friends http://www.myspace.com/tonywalshpoet

    Other female poets that I admire in the Manchester area and, who I know would/do rock at festivals include Jackie Hagan, Amanda Milligan/MzMIlly, Michelle Green, Chanje Kunda, Helen Clare, Abi Idowu, Gemma O’Neill and Manchester via Canada’s Lisa B, Liverpool’s Clare Kirwan… the list goes on. My apologies to anyone I’ve missed but you’ll have a ball at Big Chill, Charlie just expect all sorts of madness in the background and hugely different vibe/numbers in the tent at different times of the day which will have nothing to do with you or the poetry and more to do with the weather and what bands are on etc. Some of my best gigs at festivals have been under trees, round fires and under mad sculptures etc – we’ll have to get some guerilla gigs going!

    Meanwhile, I’ve been getting in the festival spirit bigtime. I had luke warm mung bean jalfrezi for my tea, washed down with warm lager whilst wearing damp trousers and playing Hawkwind on tiny speakers placed at the end of the garden. Also, after accompanying my son on a remedial level diabolo workshop at Wychwood the other week I’ve since put a good few hours of practice in – seriously. I’ve now progressed from Diabolical level to Abysmal Plus and hope to make it as far as Pathetic Minus in time for Glastonbury :-)

    Reply

    Tony Walsh Reply:

    Hi Byron

    Was great to see you at Glasto, mate. You get back ok?

    I had a ball but, as Phil Jupitus said “What happens on Tor, stays on Tor!” ;-)

    But returning to the theme of female poets rocking at festivals I can now add to my above list considerably. Botswana’s Andreattah Chuma got a standing ovation and Hollie McNish confirmed her place as an outstanding new talent – putting in two stunning sets and a consummate slam win.

    Kat Francois did the biz as co-compere, Sophie Blackwell ruled the opn-mic and Rosie Carrick, Cat Kidd, Jude Simpson, Anita Govan, the Poetry Chicks and Joolz – of course, all delivered strong sets which were very well received.

    You’ve no worries Charlie!

    Checkout Annie McGann’s excellent text and video blogs from Glastonbury at http://www.myspace.com/glastonburypoetry along with Rohan Van Twest’s great photos and Adam Horowitz’s evocative Poetry-In-Residence.

    Congrats also to Poetry and Words organiser Helen Gregory on a job well done.

    Charlie Jordan Reply:

    Stalin’s penis – now there’s a venue:)
    Nice one as per usual in the blog Tony, or can I just say ‘Walshem’. I remember Dreadlock Alien saying he was once introduced and billed as ‘Dreadlocks Alan’ which has a certain ring to it…..and thanks for sharing the cringeworthy longest minutes of your life in Poland story. It sounds fantastic to be on British council trip abroad etc… but some bits of reality kick in too. Bohdan is an awesome poet isn’t he? Seen him at a couple of gigs around B’ham. You pinpointed exactly the way your brain does 2 things concurrently and it is amazing while trying to remember lines, you’re watching yourself and the audience with almost like a commentary running in your head. Incredible the way your brain never does seem to want to focus on just the one thing when you really need it to! Look forward to Big Chill, and just wondering as I’ve never done any festivals before and everyone keeps namechecking some of the finest male poets I’ve heard that storm the stage in tents…. which female poets go down well, as it were – although that sounds rude…..

    Reply

    Byron Vincent Reply:

    Its all subjective of course but…

    Kate Tempest
    Salina Godden
    Dockers MC
    Rosy Carrick
    Molly Naylor
    Rhian Edwards
    Aoife Mannix

    To name but a few.

    And Carrol Anne Duffy went down well at Wychwood a couple of weeks ago.

    I hope I haven’t put the fear of god into you with my tales of festival woe. The best gigs I’ve ever had have also been at festivals. I did the big chill last year with Apples and Snakes and it was lovely. The Audience where attentive and responsive and well up for listening to a really diverse range of poetry: Kim Trusty, Jean ‘Binta’ Breeze, Charlie Dark etc.

    Once you’re there you’ll have a blast.

    Reply

    Geraldine Collinge Reply:

    Agree with all of those names and thought it was fab that jean went down so well with the Big Chill audience last year – in fact so well they want her back this year. We’ve also got Holly McNeish on this year who I think is a good new talent.

    One of the highlights of my first Glastonbury sometime way back in the 1980s was seeing Joolz and it’s great to see her among the line up at this year’s fest.

    Looking forward to the festival season starting and see some of you at Latitude and then Big Chill.


  5. Soph
    June 18th, 2009

    Hey Byron

    - As you rightly said Im an aspiring poet too. I think its amazing that someone who i admire as much as you can be pretty much AS self concious as a beginner like me. I recently did a poetry slam (I came 5th but..it was my first one, and shit happens when youre doing a apparently humorous poem about http://www.Dictionary.com lol…) and I got relatively good marks…then a reviewer afterwards mentioned my good marks as ‘a traversty, and nothing short of pantomime’ Ive not done a gig since I heard that statement – which is absolutely a stupid decision. They’ll always be someone to knock you done even if youre fucking shakespeare on valium on a hip late night channel 4 show.

    I think you dont give yourself enough credit – and I really look forward to seeing your set at lattitude this year! xxx

    Reply

    Byron Vincent Reply:

    Yep, it can be a bit of an emotional rollercoaster, but if this is something you’re passionate about you shouldn’t let one subjective opinion prevent you from doing something you love. Get back on the poesie horse Soph

    See you at latitude x

    Reply


  6. Geraldine Collinge
    June 18th, 2009

    Byron

    You paint a male picture of the festival scene. I wondered which female performers you’d seen hold their own or do you think it favours male performers?

    Reply

    Byron Vincent Reply:

    It’s a good point Gerry, I think that poetry at festivals can be a bit testosterone laden. I don’t really know why, it’s a question for the programmers I guess.

    Festival audiences certainly don’t favour male poets. My all time favorite performance poet is Kate Tempest, she got a standing ovation after storming a difficult late afternoon slot at Latitude last year, that kind of reaction at that time of day, for poetry, is unheard of. You only have watch an audience react to Salina Godden or Dockers MC to see that festival audiences don’t have a gender bias in their poetic preference. Good is good. That’s all the punters care about.

    I’d be interested to hear a promoters take on it though.

    Reply

    Abby Oliveira Reply:

    Well, I don’t know about England but here the scene is generally male-dominated…Now, I’m absolutely not saying there’s some sinister plot going on with that, it’s just the way it’s panned out. To use the word ‘dominated’ might be suggestive that the women-folk are somehow ‘oppressed’…which is definitely not the case…and when it comes down to it the girls are more than capable of holding their own alongside the men-folk (note ‘alongside’ not ‘against’.The testosterone-laden programmes might just be a reflection of the fact that there generally tends to be more men on the scene that women? P.S. Anyone wishing to should check out ACOUSTIC NIGHT in Bristol (they’re ojn Myspace). This is a great set-up where performers are warmly welcomed by the organisers and when we were there they recorded everyones sets on MP3 and video (though unsure if this is the standard, think it is, just check to be sure).We’ve done a couple of gigs where we felt both unappreciated and somewhat unwelcome (even though the organisers had invited us!)…you know those gigs right? Anyway Acoustic Night is certainly the opposite of this and turned out to be my favourite gig of the festival weekend. Thankyou to Andi Langford Woods, Julian et al for a fantastic evening :o )
    They hosted ourselves (The Poetry Chicks), Cat Kidd and Andreatta Chuma, so it was all about the eostrogen that evening!

    Reply


  7. Luke Wright
    June 18th, 2009

    aww Byron, you say the nicest things.

    and i’ve been saying this for two years now, it really wasn’t as bad as he thought. loads of people were loving it.

    great blog byron. x

    Reply

    Byron Vincent Reply:

    You could say it for the next twenty years and i still wouldn’t believe you. It was my my Nam. hey maaaan, you weren’t there maaaan, haha.

    The next day I was queuing for falafel and i got swarmed by a bunch of teeny hipsters who said they’d seen me perform the previous night and thought it was ace. It baffled me.

    I guess I was was more concerned with what my peers thought than the audience reaction back then. I’m over that these days. I’m growing Luke, one day I’ll be a real boy.

    Love to the fam. x

    Reply


  8. Gordon Graft
    June 18th, 2009

    I remember you being pretty good at the after-poetry-corpsing-encouragment yourself, mate, after i forgot the words of a poem on stage at Port Eliot a year or two back. Hearing someone i admire as much as you tell me about their own mishaps really helped.

    Reply

    Byron Vincent Reply:

    I remember you performing at Port Eliot. I don’t remember any corpsing, just the usual kickass poetry. Its funny how we build these things up in our own heads, audiences are much more forgiving to us than we are to ourselves.

    Are you going to be at Port Eliot this year? I’ll be there performing stuff from this very project, come and say hello if you’re about.

    Hope you’re well.

    Reply


  9. Monkey Boy
    June 18th, 2009

    Hi there. I can’t help but notice that your replies to our comments are duplicated. Is this because what you say is twice as important as what the rest of us say?

    When are you coming on to our radio show?

    Peas and love from Lancaster,
    Jewel of the North x

    Reply

    Byron Vincent Reply:

    I knew you’d understand Roth.

    I could record you something and email it over if you like, that way we don’t even have to be in the same county, its win win.

    I’ve got a bucket of Loris love right here for you Simon. Its gone a bit rancid, but it’s the thought that counts.

    xx

    Reply


  10. Sarah Butler
    June 18th, 2009

    Hi Byron
    This reply is completely irrelevant to your post (sorry!) but just wondered if you’d come across the BS1 project, which Neville Gabie ran as part of his residency during the construction of Cabot Circus. I worked with him to commission the novelist, Donna Daley-Clarke to respond to the site. There were 6 other artists involved too. The website is: http://www.bs1.org.uk if you want to take a look.
    Sarah

    Reply

    Byron Vincent Reply:

    Hi Sarah,

    I wasn’t aware of the project but I’ll definitely check it out. Thanks for the Link.

    Byron

    Reply


  11. Tony Walsh
    June 18th, 2009

    Hi Byron

    Plenty of top tips for self-improvement for poets can be found on youtube;

    Taylor Mali tells us about “the the impotence of proofreading”

    http://www.youtube.com/watch?v=OonDPGwAyfQ&feature=related

    Once written, he tells us to speak with conviction

    http://www.youtube.com/watch?v=pKyIw9fs8T4&feature=related

    And only then can we become a Top Notch Poet like Linton Kwesi Johnson

    http://www.youtube.com/watch?v=1-YIUbCDXgc

    Stunning pieces all.

    Why haven’t we got a platform like Def Poetry in this country? This stuff is award winning TV in America!
    http://www.hbo.com/defpoetry/

    Reply


  12. Berkavitch
    June 19th, 2009

    Yeah crazy that night wern’t it. I was gunna touch Kate Nash’s arse but some haircut in her entourage caught sight of me.
    Anyway, I’ve found a new animal spirit. So I’ve got a Zebra costume going if yu interested.

    x

    Reply

    Byron Vincent Reply:

    I don’t think the worlds ready to see me in Lycra. If the RSPCA caught a glimpse they’d prolly have me put down.

    Reply


  13. cure for impotence
    December 20th, 2009

    I certainly think its essential to keep one self upto date.

    Reply

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